Installation view of solo exhibition   Reverse Subterrestrial   at The Chimney NYC, Brooklyn (2017)   
       
     
 Amorphous Terrain (2018)  Collaboration with Andrew Erdos   copper corrosion stain on pulp (kozo, abaca and cotton), silicon glued safety-glass sheet, steel, cane and jute rope
       
     
web#4.jpg
       
     
  Specks of Green Rust Before the Wind I (2015)    H96" x 46" x 38", printed wood stain and copper corrosion on pulp (kozo, abaca and cotton), cane, steel    
       
     
web31.jpg
       
     
IMG_0067.JPG
       
     
  Reciprocal Wood and Steel with Silver Blossom (2014)    H73" x W156" x L132", wood, steel, painted found objects    
       
     
IMG_3307.jpg
       
     
  A Scene of Excited Anticipation (2013-2016)    H91"x 110"x 67", forged steel, casted polyester resin, resin coated soil on plexi-glass, drawing on found plywood        
  
 
  
    
  
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  Crystalized Timbers United by Ferrous II (2015)    H81" x W72" x L39", wood, steel       
       
     
       
     
  Installation view: Easeled Idol II, III and IV (2017)    H43" x 18" x 15 (center), H36" x 18" x 13" (left), H34" x 13" x 13" (right) steel, animal bone, oil paint steel    
       
     
  A Series of Three-Legged Idol (2013-2017)    sizes vary between 8"~15" in height, found tree branch, sea shell, animal bone, peeled bark and aluminumpigment, copper, brass and origami    
       
     
       
     
 Revers Subterrestirial (2017)  H33" x W115" x L93", graphite pigment, oil paint on steel, wood, aluminum, epoxy clay, sheet glass
       
     
  If I were a Master of Stone Curving (2011)    H84" x W73" x L83", Steel epoxy clay, wood, prints on steel    
       
     
1-3.jpg
       
     
 Easeld Idol I (2017)   H23 1/2 x 17x 13 inches     steel, animal bone, oil paint
       
     
  Easeled Idol II (2017)    H43" x 18" x 13, steel, oil paint steel, animal bone
       
     
  Easeled Idol III    H43" x 18" x 15, steel, animal bone, oil paint steel
       
     
 Specks of Green Rust before the Wind II 2016 printed wood stain and copper corrosion on pulp (kozo, abaca and cotton), cane, steel H46" x W96" x L38   
       
     
 Installation view: Specks of Green Rust before the Wind IV, V, VI, VII ~ (2016~ 2017)  most of the piece around H24" x W20" x L20" 
       
     
  Ascending Industrial Bouquets (2016)    H94" x 50" x 34 1/2", polyurethane resin, steel, brass, copper, postcard (paper), oil paint    
       
     
Detail-2.jpg
       
     
  Pedigree of Industrial Bouquets (2016)    H32 1/4" x W27" x L38", polyurethane resin, steel, brass, copper, paper, oil paint   Fragments of old invitation cards from one of the artist’s early show were salvaged and incorporated into the translucent and burnt resin, copper and brass body. This repurposing is a metaphor for artistic production as life cycle, with old materials being reborn into unexpected formations. 
       
     
  A Touch of Foliage on Timber United by Ferrous (2014)    H74" x W54" x L38", wood, steel, polyurethane resin    
       
     
new 3.jpg
       
     
  Cardinal Direction (2007)    H37" x W190" x L38", wood, steel
       
     
  Untitled (2014)    H420" x W110" x L114", wood, rattan, cane, steel    
       
     
  Crystalized Timbers United by Ferrous I (2014)    H39" x W165" x L29", wood, steel    
       
     
6.Urethane Flower on Steel Stem Clud with Foam.jpg
       
     
  Three-legged Idol #1 (2013)    H12 1/2" x W7 1/2" x L5 1/2", wood, brass, copper, resin coated paper, animal bone,oil paint     
       
     
 Three-legged Idol #2 (2017)  H16" x W7" x L9", wood, brass, copper, resin coated paper, animal bone, shell, oil paint
       
     
  A Fragment of Celestial Debris (2017)    H83"x 114"x 81", welded steel     
  
 
  
    
  
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  Urethane Flower on Steel Stem Clad with Foam (2013)    H91" x W110" x L67", steel, polyurethane resin, epoxy clay, burnt and varnished styrofoam   After bonding the styrene foam with adhesive, the form is mutilated and nearly destroyed by hacking, burning and then revived by the metallic glaze in order to instigate the natural entropic process to occur in reverse. 
       
     
       
     
5.Urethane Folower on Steel Stem Clad with Foam.jpg
       
     
  Ningen Kokuho (2008)    H132" x W228" x L144", steel, stainless steel, aluminum, plexi glass, animal bones, resin mounted fish skin, fabric
       
     
Ningen Kokuho (6).jpg
       
     
  Rake (2011)    H77" x W53" x L38", Bamboo, resin coated soil, glass, ceramic, wood, terracotta
       
     
  Polaris (2007)    H102" x W111" x L83", steel, brass, copper, resin, plaster, wood, photograph
       
     
  Amagoi (2006-2013)    H93" (variable width and length), steel, fabric, glass, rice paper,   collage on paper
       
     
webdragon.jpg
       
     
  Warrior (2007)    H73" x W46" x L88", beads on steel, resin, brass, copper, silk
       
     
  Self-Mummy (2007)    H59" x W44" x L58", steel, wood, salt, resin, nylon fiber, glass
       
     
Warped Floor and Object (2).jpg
       
     
2.jpg
       
     
 Installation view of solo exhibition   Reverse Subterrestrial   at The Chimney NYC, Brooklyn (2017)   
       
     

Installation view of solo exhibition Reverse Subterrestrial at The Chimney NYC, Brooklyn (2017)

 

 Amorphous Terrain (2018)  Collaboration with Andrew Erdos   copper corrosion stain on pulp (kozo, abaca and cotton), silicon glued safety-glass sheet, steel, cane and jute rope
       
     

Amorphous Terrain (2018)

Collaboration with Andrew Erdos

copper corrosion stain on pulp (kozo, abaca and cotton), silicon glued safety-glass sheet, steel, cane and jute rope

web#4.jpg
       
     
  Specks of Green Rust Before the Wind I (2015)    H96" x 46" x 38", printed wood stain and copper corrosion on pulp (kozo, abaca and cotton), cane, steel    
       
     

Specks of Green Rust Before the Wind I (2015)

H96" x 46" x 38", printed wood stain and copper corrosion on pulp (kozo, abaca and cotton), cane, steel

 

web31.jpg
       
     
IMG_0067.JPG
       
     
  Reciprocal Wood and Steel with Silver Blossom (2014)    H73" x W156" x L132", wood, steel, painted found objects    
       
     

Reciprocal Wood and Steel with Silver Blossom (2014)

H73" x W156" x L132", wood, steel, painted found objects

 

IMG_3307.jpg
       
     
  A Scene of Excited Anticipation (2013-2016)    H91"x 110"x 67", forged steel, casted polyester resin, resin coated soil on plexi-glass, drawing on found plywood        
  
 
  
    
  
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A Scene of Excited Anticipation (2013-2016)

H91"x 110"x 67", forged steel, casted polyester resin, resin coated soil on plexi-glass, drawing on found plywood

 

  Crystalized Timbers United by Ferrous II (2015)    H81" x W72" x L39", wood, steel       
       
     

Crystalized Timbers United by Ferrous II (2015)

H81" x W72" x L39", wood, steel

 

 

       
     
  Installation view: Easeled Idol II, III and IV (2017)    H43" x 18" x 15 (center), H36" x 18" x 13" (left), H34" x 13" x 13" (right) steel, animal bone, oil paint steel    
       
     

Installation view: Easeled Idol II, III and IV (2017)

H43" x 18" x 15 (center), H36" x 18" x 13" (left), H34" x 13" x 13" (right) steel, animal bone, oil paint steel

 

  A Series of Three-Legged Idol (2013-2017)    sizes vary between 8"~15" in height, found tree branch, sea shell, animal bone, peeled bark and aluminumpigment, copper, brass and origami    
       
     

A Series of Three-Legged Idol (2013-2017)

sizes vary between 8"~15" in height, found tree branch, sea shell, animal bone, peeled bark and aluminumpigment, copper, brass and origami

 

       
     

 Revers Subterrestirial (2017)  H33" x W115" x L93", graphite pigment, oil paint on steel, wood, aluminum, epoxy clay, sheet glass
       
     

Revers Subterrestirial (2017)

H33" x W115" x L93", graphite pigment, oil paint on steel, wood, aluminum, epoxy clay, sheet glass

  If I were a Master of Stone Curving (2011)    H84" x W73" x L83", Steel epoxy clay, wood, prints on steel    
       
     

If I were a Master of Stone Curving (2011)

H84" x W73" x L83", Steel epoxy clay, wood, prints on steel

 

1-3.jpg
       
     
 Easeld Idol I (2017)   H23 1/2 x 17x 13 inches     steel, animal bone, oil paint
       
     

Easeld Idol I (2017)

H23 1/2 x 17x 13 inches

steel, animal bone, oil paint

  Easeled Idol II (2017)    H43" x 18" x 13, steel, oil paint steel, animal bone
       
     

Easeled Idol II (2017)

H43" x 18" x 13, steel, oil paint steel, animal bone

  Easeled Idol III    H43" x 18" x 15, steel, animal bone, oil paint steel
       
     

Easeled Idol III

H43" x 18" x 15, steel, animal bone, oil paint steel

 Specks of Green Rust before the Wind II 2016 printed wood stain and copper corrosion on pulp (kozo, abaca and cotton), cane, steel H46" x W96" x L38   
       
     

Specks of Green Rust before the Wind II
2016
printed wood stain and copper corrosion on pulp (kozo, abaca and cotton), cane, steel
H46" x W96" x L38

 

 Installation view: Specks of Green Rust before the Wind IV, V, VI, VII ~ (2016~ 2017)  most of the piece around H24" x W20" x L20" 
       
     

Installation view: Specks of Green Rust before the Wind IV, V, VI, VII ~ (2016~ 2017)

most of the piece around H24" x W20" x L20" 

  Ascending Industrial Bouquets (2016)    H94" x 50" x 34 1/2", polyurethane resin, steel, brass, copper, postcard (paper), oil paint    
       
     

Ascending Industrial Bouquets (2016)

H94" x 50" x 34 1/2", polyurethane resin, steel, brass, copper, postcard (paper), oil paint

 

Detail-2.jpg
       
     
  Pedigree of Industrial Bouquets (2016)    H32 1/4" x W27" x L38", polyurethane resin, steel, brass, copper, paper, oil paint   Fragments of old invitation cards from one of the artist’s early show were salvaged and incorporated into the translucent and burnt resin, copper and brass body. This repurposing is a metaphor for artistic production as life cycle, with old materials being reborn into unexpected formations. 
       
     

Pedigree of Industrial Bouquets (2016)

H32 1/4" x W27" x L38", polyurethane resin, steel, brass, copper, paper, oil paint

Fragments of old invitation cards from one of the artist’s early show were salvaged and incorporated into the translucent and burnt resin, copper and brass body. This repurposing is a metaphor for artistic production as life cycle, with old materials being reborn into unexpected formations. 

  A Touch of Foliage on Timber United by Ferrous (2014)    H74" x W54" x L38", wood, steel, polyurethane resin    
       
     

A Touch of Foliage on Timber United by Ferrous (2014)

H74" x W54" x L38", wood, steel, polyurethane resin

 

new 3.jpg
       
     
  Cardinal Direction (2007)    H37" x W190" x L38", wood, steel
       
     

Cardinal Direction (2007)

H37" x W190" x L38", wood, steel

  Untitled (2014)    H420" x W110" x L114", wood, rattan, cane, steel    
       
     

Untitled (2014)

H420" x W110" x L114", wood, rattan, cane, steel

 

  Crystalized Timbers United by Ferrous I (2014)    H39" x W165" x L29", wood, steel    
       
     

Crystalized Timbers United by Ferrous I (2014)

H39" x W165" x L29", wood, steel

 

6.Urethane Flower on Steel Stem Clud with Foam.jpg
       
     
  Three-legged Idol #1 (2013)    H12 1/2" x W7 1/2" x L5 1/2", wood, brass, copper, resin coated paper, animal bone,oil paint     
       
     

Three-legged Idol #1 (2013)

H12 1/2" x W7 1/2" x L5 1/2", wood, brass, copper, resin coated paper, animal bone,oil paint

 

 Three-legged Idol #2 (2017)  H16" x W7" x L9", wood, brass, copper, resin coated paper, animal bone, shell, oil paint
       
     

Three-legged Idol #2 (2017)

H16" x W7" x L9", wood, brass, copper, resin coated paper, animal bone, shell, oil paint

  A Fragment of Celestial Debris (2017)    H83"x 114"x 81", welded steel     
  
 
  
    
  
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A Fragment of Celestial Debris (2017)

H83"x 114"x 81", welded steel

  Urethane Flower on Steel Stem Clad with Foam (2013)    H91" x W110" x L67", steel, polyurethane resin, epoxy clay, burnt and varnished styrofoam   After bonding the styrene foam with adhesive, the form is mutilated and nearly destroyed by hacking, burning and then revived by the metallic glaze in order to instigate the natural entropic process to occur in reverse. 
       
     

Urethane Flower on Steel Stem Clad with Foam (2013)

H91" x W110" x L67", steel, polyurethane resin, epoxy clay, burnt and varnished styrofoam

After bonding the styrene foam with adhesive, the form is mutilated and nearly destroyed by hacking, burning and then revived by the metallic glaze in order to instigate the natural entropic process to occur in reverse. 

       
     
5.Urethane Folower on Steel Stem Clad with Foam.jpg
       
     
  Ningen Kokuho (2008)    H132" x W228" x L144", steel, stainless steel, aluminum, plexi glass, animal bones, resin mounted fish skin, fabric
       
     

Ningen Kokuho (2008)

H132" x W228" x L144", steel, stainless steel, aluminum, plexi glass, animal bones, resin mounted fish skin, fabric

Ningen Kokuho (6).jpg
       
     
  Rake (2011)    H77" x W53" x L38", Bamboo, resin coated soil, glass, ceramic, wood, terracotta
       
     

Rake (2011)

H77" x W53" x L38", Bamboo, resin coated soil, glass, ceramic, wood, terracotta

  Polaris (2007)    H102" x W111" x L83", steel, brass, copper, resin, plaster, wood, photograph
       
     

Polaris (2007)

H102" x W111" x L83", steel, brass, copper, resin, plaster, wood, photograph

  Amagoi (2006-2013)    H93" (variable width and length), steel, fabric, glass, rice paper,   collage on paper
       
     

Amagoi (2006-2013)

H93" (variable width and length), steel, fabric, glass, rice paper, collage on paper

webdragon.jpg
       
     
  Warrior (2007)    H73" x W46" x L88", beads on steel, resin, brass, copper, silk
       
     

Warrior (2007)

H73" x W46" x L88", beads on steel, resin, brass, copper, silk

  Self-Mummy (2007)    H59" x W44" x L58", steel, wood, salt, resin, nylon fiber, glass
       
     

Self-Mummy (2007)

H59" x W44" x L58", steel, wood, salt, resin, nylon fiber, glass

Warped Floor and Object (2).jpg
       
     
2.jpg