Installation view of solo exhibition Reverse Subterrestrial at The Chimney NYC, Brooklyn (2017)
Amorphous Terrain (2018)
Collaboration with Andrew Erdos
copper corrosion stain on pulp (kozo, abaca and cotton), silicon glued safety-glass sheet, steel, cane and jute rope
Specks of Green Rust Before the Wind I (2015)
H96" x 46" x 38", printed wood stain and copper corrosion on pulp (kozo, abaca and cotton), cane, steel
Reciprocal Wood and Steel with Silver Blossom (2014)
H73" x W156" x L132", wood, steel, painted found objects
A Scene of Excited Anticipation (2013-2016)
H91"x 110"x 67", forged steel, casted polyester resin, resin coated soil on plexi-glass, drawing on found plywood
Crystalized Timbers United by Ferrous II (2015)
H81" x W72" x L39", wood, steel
Installation view: Easeled Idol II, III and IV (2017)
H43" x 18" x 15 (center), H36" x 18" x 13" (left), H34" x 13" x 13" (right) steel, animal bone, oil paint steel
A Series of Three-Legged Idol (2013-2017)
sizes vary between 8"~15" in height, found tree branch, sea shell, animal bone, peeled bark and aluminumpigment, copper, brass and origami
Revers Subterrestirial (2017)
H33" x W115" x L93", graphite pigment, oil paint on steel, wood, aluminum, epoxy clay, sheet glass
If I were a Master of Stone Curving (2011)
H84" x W73" x L83", Steel epoxy clay, wood, prints on steel
Easeld Idol I (2017)
H23 1/2 x 17x 13 inches
steel, animal bone, oil paint
Easeled Idol II (2017)
H43" x 18" x 13, steel, oil paint steel, animal bone
Easeled Idol III
H43" x 18" x 15, steel, animal bone, oil paint steel
Specks of Green Rust before the Wind II
2016
printed wood stain and copper corrosion on pulp (kozo, abaca and cotton), cane, steel
H46" x W96" x L38
Installation view: Specks of Green Rust before the Wind IV, V, VI, VII ~ (2016~ 2017)
most of the piece around H24" x W20" x L20"
Ascending Industrial Bouquets (2016)
H94" x 50" x 34 1/2", polyurethane resin, steel, brass, copper, postcard (paper), oil paint
Pedigree of Industrial Bouquets (2016)
H32 1/4" x W27" x L38", polyurethane resin, steel, brass, copper, paper, oil paint
Fragments of old invitation cards from one of the artist’s early show were salvaged and incorporated into the translucent and burnt resin, copper and brass body. This repurposing is a metaphor for artistic production as life cycle, with old materials being reborn into unexpected formations.
A Touch of Foliage on Timber United by Ferrous (2014)
H74" x W54" x L38", wood, steel, polyurethane resin
Cardinal Direction (2007)
H37" x W190" x L38", wood, steel
Untitled (2014)
H420" x W110" x L114", wood, rattan, cane, steel
Crystalized Timbers United by Ferrous I (2014)
H39" x W165" x L29", wood, steel
Three-legged Idol #1 (2013)
H12 1/2" x W7 1/2" x L5 1/2", wood, brass, copper, resin coated paper, animal bone,oil paint
Three-legged Idol #2 (2017)
H16" x W7" x L9", wood, brass, copper, resin coated paper, animal bone, shell, oil paint
A Fragment of Celestial Debris (2017)
H83"x 114"x 81", welded steel
Urethane Flower on Steel Stem Clad with Foam (2013)
H91" x W110" x L67", steel, polyurethane resin, epoxy clay, burnt and varnished styrofoam
After bonding the styrene foam with adhesive, the form is mutilated and nearly destroyed by hacking, burning and then revived by the metallic glaze in order to instigate the natural entropic process to occur in reverse.
Ningen Kokuho (2008)
H132" x W228" x L144", steel, stainless steel, aluminum, plexi glass, animal bones, resin mounted fish skin, fabric
Rake (2011)
H77" x W53" x L38", Bamboo, resin coated soil, glass, ceramic, wood, terracotta
Polaris (2007)
H102" x W111" x L83", steel, brass, copper, resin, plaster, wood, photograph
Amagoi (2006-2013)
H93" (variable width and length), steel, fabric, glass, rice paper, collage on paper
Warrior (2007)
H73" x W46" x L88", beads on steel, resin, brass, copper, silk
Self-Mummy (2007)
H59" x W44" x L58", steel, wood, salt, resin, nylon fiber, glass