
…REVERSE SUBTERRESTRIAL (2017) the title of Yasue Maetake’s exhibition at The Chimney, Brooklyn, suggests the dredging up of something buried. Indeed, her site-specific installation produces the strange sensation of plunging into the depths, even as you ascend the vertical space of the two-story structure. The artist’s immersive environment appears in states of both dissolution and becoming, conjuring postapocalyptic visions of slow but resolute regeneration. Maetake’s process is one of productive destruction: beating, boiling, and burning initiate physical transformations in materials that include steel, aluminum, fiber, tree bark, and animal bone. The resulting marks—stains, rust, and oxidation—create patinas and textures that evoke time’s passage, imbuing even the delicate handmade paper constructions with unexpected durability…
— Paula Burleigh, ARTFORUM