Installation view  Amorphous Terrain 3  at the group exhibition   Crafting Resistance    Curated by Erin Joyce  August 19, 2023 – July 14, 2024  ASU Art Museum, Phoenix, AZ  The collaborative work of Yasue Maetake and Andrew Erdos “Amorphous Terrain
       
     
 PHOTO Craig Smith for ASU Art Museum
       
     
 Defrosted  (collaboration with Andrew Erdos)  2023  H30 x 40 x 29 inch  aluminum, glass, PVA resin coated kozo-washi, verdigris, found steel, cane, and cotton
       
     
 Bullet Turquoise  2023  H30 x 94 x 36 inch  epoxy-encased paper collage on stainless steel, PVA resin coated kozo-washi, verdigris, steel, rebar, cane, and hemp
       
     
web_Turquoise-Bullet-detail_06.jpg
       
     
web_Turquoise-Bullet_02.jpg
       
     
web_Turquoise-Bullet-detail_02.jpg
       
     
web_Turquoise-Bullet-detail_01.jpg
       
     
web_Defrosed_02.jpg
       
     
web_Defrosed-detail_01.jpg
       
     
 PHOTO Craig Smith for ASU Art Museum
       
     
 PHOTO Craig Smith for ASU Art Museum
       
     
 PHOTO Craig Smith for ASU Art Museum
       
     
 Installation view  Amorphous Terrain 3  at the group exhibition   Crafting Resistance    Curated by Erin Joyce  August 19, 2023 – July 14, 2024  ASU Art Museum, Phoenix, AZ  The collaborative work of Yasue Maetake and Andrew Erdos “Amorphous Terrain
       
     

Installation view Amorphous Terrain 3 at the group exhibition Crafting Resistance

Curated by Erin Joyce

August 19, 2023 – July 14, 2024

ASU Art Museum, Phoenix, AZ

The collaborative work of Yasue Maetake and Andrew Erdos “Amorphous Terrain” series leans into observations of natural phenomena and materiality. Industrial and traditional craft processes, handmade materials such as glass and aluminum, found objects such as copper pipe and steel fragments and organic matter such as anthracite and PVA coated kozo-washi, and pigments from verdigris & steel rust are combined to create the sculptures. The work(s) exist both as site-specific installation and individual objects – allowing for both micro and macro readings of the sculptures. The works visuality suggests the detritus of industrial production all while also bringing to mind ecological forms and structures such as mountain ranges and underground bodies of water.

—TEXT by ASU Art Museum

PHOTO Craig Smith for ASU Art Museum

 PHOTO Craig Smith for ASU Art Museum
       
     

PHOTO Craig Smith for ASU Art Museum

 Defrosted  (collaboration with Andrew Erdos)  2023  H30 x 40 x 29 inch  aluminum, glass, PVA resin coated kozo-washi, verdigris, found steel, cane, and cotton
       
     

Defrosted

(collaboration with Andrew Erdos)

2023

H30 x 40 x 29 inch

aluminum, glass, PVA resin coated kozo-washi, verdigris, found steel, cane, and cotton

 Bullet Turquoise  2023  H30 x 94 x 36 inch  epoxy-encased paper collage on stainless steel, PVA resin coated kozo-washi, verdigris, steel, rebar, cane, and hemp
       
     

Bullet Turquoise

2023

H30 x 94 x 36 inch

epoxy-encased paper collage on stainless steel, PVA resin coated kozo-washi, verdigris, steel, rebar, cane, and hemp

web_Turquoise-Bullet-detail_06.jpg
       
     
web_Turquoise-Bullet_02.jpg
       
     
web_Turquoise-Bullet-detail_02.jpg
       
     
web_Turquoise-Bullet-detail_01.jpg
       
     
web_Defrosed_02.jpg
       
     
web_Defrosed-detail_01.jpg
       
     
 PHOTO Craig Smith for ASU Art Museum
       
     

PHOTO Craig Smith for ASU Art Museum

 PHOTO Craig Smith for ASU Art Museum
       
     

PHOTO Craig Smith for ASU Art Museum

 PHOTO Craig Smith for ASU Art Museum
       
     

PHOTO Craig Smith for ASU Art Museum